![]() & Rakim, Ultramagnetic MC’s, and General public Enemy, groupings that prominently highlighted DJs within their rates. He worked well his method through hip-hop’s early years in to the heyday of crews like Eric B. An unusual, white suburban hip-hop lover in the hard rock-dominated early ’80s, Davis gravitated toward the turntable/mixing machine setup from the hip-hop DJ on the guitars, bass, and drums of his peers. Davis was raised in Hayward, California, a mainly lower middle-class suburb of SAN FRANCISCO BAY AREA. Following the label’s demise, Darkness released his own Water Amber imprint and caused performers as varied as Nils Frahm and Operate the Jewels. ![]() Octagon in addition to the Mo’ Polish trip-hop supergroup UNKLE. Davis continued to co-write, remix, and make songs for labelmates DJ Krush and Dr. Although he’d currently completed a scattering of first and production function (during 1991-1992 for Hollywood Information) by enough time Mo’ Wax’s Adam Lavelle approached him about launching “In/Flux” in the fledgling imprint, it wasn’t until his association with Mo’ Polish that his audio begun to mature and cohere. His early singles for the label, including “In/Flux” and “Shed and Discovered (S.F.L.),” had been all-over-the-map mini-masterpieces merging components of funk, rock and roll, hip-hop, ambient, jazz, spirit, and used-bin discovers. DJ Shadow’s Josh Davis is widely credited seeing that a key body in developing the experimental instrumental hip-hop design from the London-based Mo’ Polish label.
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